Nar’sata: Sekutu Setan asks the question – what happens when someone who has spent years being hurt finally gets the power to hurt everyone who wronged her?
A Second Chance With a Price Attached
Balqis has spent years dealing with abuse, betrayal and suffering, and her life takes an even darker turn when a violent attack leaves her close to death, before she is found by Nek Bayu, an elderly woman who manages to save her under mysterious circumstances – Balqis survives, but the experience leaves her connected to something that is far removed from ordinary help.
The supernatural force gives her abilities she can use against the people responsible for her suffering, and at first, that sounds like exactly what she needs but after everything Balqis has endured, the opportunity to fight back must be tempting – nut there is a difference between getting revenge and becoming consumed by it.
As Balqis embraces the power, her anger becomes increasingly difficult to control, so what starts as an attempt to punish the people who hurt her gradually turns into something more destructive, forcing her towards a point where revenge, justice and outright violence become almost impossible to separate.
Trailer
Cast & Production
Nar’sata: Sekutu Setan was written and directed by Pierre Andre, with Trisha Ooi in the central role of Balqis – the cast also includes Mawar Rashid, Fadlan Hazim, Aniq Suhair, Namron, Khatijah Tan, Wan Hanafi Su and Vanidah Imran.
The film was produced by Metrowealth International Group (MIG) and released in Malaysia on 21 May 2026, with a relatively hefty runtime of approximately 135 minutes, while will give Pierre Andre quite a lot of room to develop Balqis’s transformation rather than rushing straight from victim to supernatural revenge machine, which is important for a story where the character’s emotional deterioration is supposed to be part of the horror.
When Revenge Becomes the Horror
The interesting thing for me about Nar’sata: Sekutu Setan is that Balqis isn’t simply fighting some supernatural entity that wants to destroy her, because she actively gains something from the darkness, which will make the horror more complicated because the supernatural force is giving her an answer to a very human problem – Balqis has been powerless for years, and suddenly she has the ability to do something about the people who caused her suffering.
Of course, horror movies have never been particularly interested in letting that sort of arrangement end well, so the film therefore has a built-in progression from victim to avenger to something potentially much worse, and that is where the psychological side becomes more interesting than simply throwing supernatural attacks at the audience.
There is also plenty of room for the film to get nasty – with its combination of supernatural horror, violence and revenge, this is clearly aiming for a considerably darker tone than a gentle Malaysian ghost story.
Black Magic Through a Revenge-Horror Lens
Malaysian supernatural horror has plenty of material to draw from when it comes to black magic, spiritual forces, possession and the unseen world, but Nar’sata: Sekutu Setan uses those ideas as part of a revenge narrative rather than making them the entire point of the film – the supernatural power exists because Balqis wants something, and her desperation is what makes accepting it believable.
The film is therefore seems less interested in the simple question of whether supernatural forces are dangerous and more interested in what happens when someone who has suffered terribly decides that dangerous power is worth having – it also gives the film a specifically Malaysian flavour without requiring the story to become a folklore lesson, where the spiritual elements are there to drive Balqis’s choices, while the revenge structure keeps the story focused on her rather than simply on whatever supernatural entity she has become involved with.
Pierre Andre’s Return to Horror
Pierre Andre is a filmmaker with an established connection to Malaysian horror, so Nar’sata: Sekutu Setan is not coming completely out of nowhere within his career, whichmakes the decision to combine psychological trauma, supernatural horror and revenge particularly interesting.
And that 135-minute runtime suggests this is intended to be more than a quick supernatural thriller, as there is enough space for the film to spend time with Balqis before and after she gains her power, which makes the eventual consequences of her choices more important than if the whole thing were simply a string of revenge set pieces.
The central question is a pretty grim one though – if someone has suffered enough, does giving them the power to fight back actually make things better, or does it simply create another kind of monster?
Check out some more Malaysian horror movies.
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