The idea of turning a haunted hospital into a livestream is hardly new anymore, but 402 Haunted Korean Hospital has a useful twist on the formula – its characters aren’t paranormal investigators looking for answers, they’re Indonesian content creators looking for clicks, viewers and the next big piece of footage.
A Livestream Built Around Room 402
The group heads to Yong-Won Hospital, an abandoned South Korean medical facility surrounded by stories about its disturbing history and the supposedly cursed Room 402. Juna and the other creators decide to turn an overnight investigation into a live broadcast, expecting the hospital’s reputation to deliver the kind of footage that can send their online profiles through the roof.
That plan works for a while, where viewers start watching as the group explores the building, but the atmosphere changes once the supposedly paranormal activity stops looking like something they can simply explain away for the camera – what began as a piece of online entertainment becomes increasingly difficult to control, particularly as the creators find themselves confronted by events inside the hospital that don’t behave like the harmless scares they were expecting.
And that’s really the hook – the cameras keep rolling while the people behind them begin running out of reasons to believe they are still in control of the situation.
Trailer
From Gonjiam to an Indonesian Remake
402 Haunted Korean Hospital is an official Indonesian remake of Gonjiam: Haunted Asylum, the 2018 Korean found-footage movie directed by Jung Bum-shik – the remake keeps the abandoned-hospital and livestream framework but moves the production into an Indonesian context, while still making the Korean location and Room 402 central to the setup.
It also premiered at the Bucheon International Fantastic Film Festival (BIFAN) 2026, giving it a place within one of Asia’s major genre-film festivals before its Indonesian theatrical release.
When the Camera Becomes Part of the Problem
The found-footage horror format makes more sense here than it would in a conventional ghost story because the characters have an actual reason to keep filming, as they’re trying to entertain an audience, and that creates a particularly stupid but believable horror dilemma — even when things start going badly, stopping the livestream means admitting that the big story they’ve been chasing might actually be real.
There is also an obvious bit of modern satire underneath all this – the creators aren’t risking themselves because they need to save somebody or uncover some ancient mystery, they’re there because attention has value, and the possibility of going viral can make a ridiculous amount of danger seem worthwhile.
The decision to retain a Korean setting is also one of the more interesting aspects of the remake., so instead of completely relocating the story and simply borrowing the premise, 402 Haunted Korean Hospital remains connected to the mythology and imagery established by Gonjiam: Haunted Asylum, while the filmmaking itself comes from Indonesia.
Anggy Umbara Takes Over the Camera
402 Haunted Korean Hospital was directed by Anggy Umbara, with Lele Laila credited as writer. The cast includes Arbani Yasiz, Saputra Kori, Elang El Gibran, Diandra Agatha, Lea Ciarachel and Aylena Fusil – the film was produced by MD Pictures and released theatrically in Indonesia on 9 July 2026, with a reported runtime of approximately 110 minutes.
A Remake With Its Own Reason to Exist
The biggest thing 402 Haunted Korean Hospital has going for it isn’t simply the haunted hospital itself – we’ve all seen enough abandoned buildings in horror by now it’s the combination of the Gonjiam framework with Indonesia’s contemporary content-creator culture.
The characters have deliberately put themselves in a terrible situation because they believe the footage will be worth it, and that gives the film a very straightforward central idea without needing to pile on endless mythology, and sometimes the dumbest decision in a horror movie is also the most believable one: keep filming because the viewers are watching.
Check out some more Indonesian horror movies.
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