There is something particularlydark about a horror story where the supernatural force isn’t something you accidentally stumble across – you invite it into your home because you desperately need its help, which is the basic hook behind Ma Xó, where a mother terrified of losing another child turns to a strange household ritual that promises protection.
The problem with supernatural bargains, of course, is that they tend to leave out the small print.
Desperation Makes Bad Decisions
Thảo is already carrying the emotional weight of a previous miscarriage when another pregnancy gives her something to protect, but she and her husband Phú are also struggling financially and living in poverty, and then a neighbour introduces Thảo to the idea of a “ma xó”, a spirit associated with protecting a household and the possessions within it.
For Thảo, the choice is understandable, if there is even a chance that the ritual could keep her unborn child safe, why wouldn’t she try it, but that decision changes the atmosphere inside the home, however, and the protection Thảo hoped for begins to look increasingly like something else.
The title refers to the ma xó, placing a specific Vietnamese supernatural concept at the heart of the film rather than simply attaching a generic ghost to the story, which makes the ritual particularly important because the horror isn’t just about something supernatural appearing in a house – it is about a family deliberately turning to a belief because conventional solutions aren’t enough.
It’s also a good example of why folk horror can work so well in Southeast Asian cinema, because the supernatural isn’t necessarily separated from ordinary life – Family, pregnancy, money, neighbours and household traditions all become part of the same world.
Phan Bá Hỷ Makes His Feature Directorial Debut
Ma Xó: Forbidden Ritual was written and directed by Phan Bá Hỷ, with the film produced by 856 Pictures and CJ HK Entertainment and distributed in Vietnam by CGV Vietnam – the cast includes Lê Khánh, Avin Lu, Gi A Nguyễn, Tín Nguyễn, NSƯT Hạnh Thúy and Nguyễn Sỹ Hậu, and the film opened in Vietnamese cinemas on June 5, 2026, and runs for approximately 102 minutes.
This makes a particularly interesting project for Phan Bá Hỷ, because he’s taking a very culturally specific supernatural idea and building an entire feature around it rather than simply using the folklore as background decoration, and it seems to have worked quite well, because the film has been a massive commercial hit in local theatres, crossing the 130 billion VND mark in revenue and prompting parent global distributor CJ ENM to secure it as a core Asian horror franchise IP.
The Horror Comes From What Was Invited In
There’s a useful distinction between Ma Xó and the standard haunted-house setup, as nobody here simply moves into a cursed property and discovers something waiting upstairs – Thảo actively brings the ritual into her home, so the thing causing the trouble isn’t just an intruder – it was originally regarded as a solution.
It also gives the house a different role, because this isn’t merely somewhere where frightening things happen, it’s the place where Thảo believes she has found protection for her family, which makes the gradual change in that environment considerably more uncomfortable.
The strongest part of the premise though isn’t really the supernatural aspectI don’t think, it’s why Thảo is willing to risk dealing with it – a previous miscarriage, another pregnancy and serious financial problems already give her plenty to worry about before the ritual enters the picture, so that means the supernatural threat is being layered onto fears that are already very real for the character.
The result should make the horror feel more personal than a straightforward possession story, because Thảo isn’t simply trying to survive a haunting here – she’s trying to protect her family while wondering whether the thing she trusted to help them has become the biggest danger in the house
For anyone looking for Vietnamese folk horror that is rooted in local spiritual beliefs, family desperation and ritual, Ma Xó could be a particularly interesting one to put on the list.
Trailer
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